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2011 TOP 10 #10 – Naomi Takes Over Nuclear Reactor

Whew, tough picking my top 10 favorite photographs of 2011. But before I get going, I have to include a moment that was very special for me – grandaughter Naomi taking over the controls of a nuclear reactor on our Tour de Heartland trip last August.

This photograph has two special meanings for me. First, it showcases Naomi having fun, doing a little Vanna wave. This was one of those “why are we stopping here” stops. But Naomi dug right in. We were in the middle of nowhere in the Idaho desert, visiting a 60-year-old nuclear reactor. Naomi was drawn immediately to the control room and took charge, just as if she were working the panel of ERB-1 back in 1951.

The other important element of the photograph is it drew me back to my days as a young ham radio operator – Naomi’s age. The dials, switches and meters triggered nostalgia of a different electronic era.

This particular nuclear reactor is ERB-1 at the Idaho National Laboratory near Arco, Idaho. The reactor was the first atomic power generating station in the world when it was switched on back in 1951.

The smile and the dials all add up to one of my top 10 favorite photographs for 2011.

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Chicago Skyscape



Chicago Skyscape, originally uploaded by tomkellyphoto.

The Willis Tower (formerly Sears Tower) stands out amidst the south loop skyscape in Chicago as sea gulls fly from the nearby Chicago River. The 110-story Willis Tower stands 1,450 (not including radio towers) and is eighth largest building in the world and tallest in western hemisphere.

I love making photographs of skyscapes. In this case, the sea gulls were an added enhancement. (c) 2011 Tom Kelly

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Rainy New York City



Rainy New York City, originally uploaded by tomkellyphoto.

Kind of a random shot, but kind of like the way this policewoman captures the frenetic scene on 42nd Street in New York City in the middle of a fall rainstorm – people dashing to and fro, umbrellas raised!

Via Flickr:
A policewoman directs traffic on 42nd Street near Grand Central Station on a rainy morning in New York City. (c) 2011 Tom Kelly

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Yellow Aspens



Yellow Aspens, originally uploaded by tomkellyphoto.

What a fall color run we had! I’m making some 24×36 gallery wraps of this glowing aspen scene from Guardsman Pass for an upcoming show. If anyone wants to pre-order one for yourself or a holiday gift, let me know and I’ll give you $50 off the show price.

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Singletrack



Singletrack, originally uploaded by tomkellyphoto.

This image is a personal favorite – not only as a photograph for the memory of a great ride on Park City, Utah’s Mid-Mountain Trail.

This singletrack route through the mountains represents the genius of Mountain Trails. The three resorts are naturally laced with trails, many old mining roads. They go up and down and can give you thousands of feet of vertical in an afternoon ride.

Mid Mountain Trail is different. It basically hugs the 8,000 foot contour offering what I call pedal and roll terrain. Sure, there’s a few climbs. But nothing significant. And the views as you crisscross from open ski runs to dense aspen and pine forest are some of the most memorable in the Wasatch.

It’s not easy to ride with a heavy Nikon D700 hanging from your neck. There are lots of stops. This particular vantage point was fascinating to me. The steep ski run on the front face of Park City Mountain Resort put everything on an angle. And the singletrack trail bisected the run and headed back into a glowing yellow grove of aspen.

It shows the diversity of the terrain on the Mid Mountain Trail as a long rider speeds along the narrow singletrack and into the next stretch of forest.

The trail runs from Deer Valley Resort through Park City Mountain Resort and on to Canyons. The most popular segment is from Empire Lodge, where you climb up and above The Montage, on to Park City Mountain Resort.

My afternoon ride took me from Empire all the way through PCMR, dropping into the Silverlode lift canyon where I picked up the Crescent Grade Trail which took me back around to the frontside and eventually down to the bottom by the First Time lift.

Have fun!

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Mountain Barn



Tate Barn, originally uploaded by tomkellyphoto.

The Tate Barn is a local icon, standing at the gateway to the Olympic cross country trails at Soldier Hollow near Midway, Utah. It was reconstructed before the 2002 Winter Olympics. It’s often photographed but a memorable shot had always eluded me.

My assignment this morning was to photograph the U.S. Cross Country Ski Team rollerskiing at Soldier Hollow. My personal goal was to take advantage of the early morning light to pickup a landscape or two along the way.

It was a cool, crisp morning – good views of Timpanogos. But every scene I tried was just lacking a good foreground. I came close with a group of three horses on the highway, but they were uncooperative in moving into my viewfinder.

Time was running short as I headed into Soldier Hollow. I passed the barn and barely gave it a glance. Driving past, though, it caught my attention out of the corner of my eye.

It was a classic HDR situation with the north side of the barn about four stops darker than the sunrise-lit east side. A quick tripod setup and I was ready to go – five exposures at .7 stops differential.

One of the elements that really captured my attention was the brush around the barn. At first, I was concerned I didn’t have enough elevation. But as I framed the shot, I used the brush to my advantage to create a boundary for the barn and also to mask a bit of the north side which was darker.

The final photograph captures an iconic local landmark set against one of Utah’s most memorable mountains.

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Waiting for the Light

I’ve put a lot of miles on the Jeeps this fall color season. In peak week, I was spoiled with sunshine every evening. Since then, it’s been spotty. But that only enhances the challenge and gets you to think a little harder.

Snake Creek Canyon, west of Midway, Utah, has always been a great go-to spot for photography (and Jeeping). Sadly, we missed the bright sky morning and headed out with afternoon clouds rolling in. As we began the approach up to the ridgeline, the sun was dancing through some holes here and there, but never in the appropriate place.

As a photographer, you need to always be watching the light – where is the sun in the sky, where are the holes in the clouds, what’s dancing on the mountain tops?

We came around a corner and I saw a potential scene. The rocky mountaintops overlooking Big and Little Cottonwood Canyons on the other side were shrouded in fog, with new fallen snow on the rocks. A quarter mile or so in the foreground was a hillside of yellow aspens and red oak, mixed with some dark evergreens – a typical Wasatch scene.

Framing the shot with the colors on the diagonal was easy – the composition simply screamed out. But there was little or no sun.

There’s an amazing brilliance to fall leaves when they are backlit. But even without that enhancement, their rainbow tones still shine through. I waited, waited and waited. But the sun never really came. But the colors of the hillside still struck a stark contrast to the windswept, snowy mountainside behind.

The key to this shot technically is a seven-shot HDR spaced .7 stops each.

While it didn’t have the backlit pop of some of my earlier aspen shots in Guardsman Pass, this Snake Creek Canyon scene will rank as one of my favorites for the fall season.

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JFK Museum



JFK Museum, originally uploaded by tomkellyphoto.

Growing up in the ’60s in America, as children we grew to have a great respect for President John Fitzgerald Kennedy – even if we didn’t really know the details behind the issues. I vividly recall the excitement of his inauguration as an eight-year-old and the fear we felt two years later during the fall Cuban Missile Crisis.

Visiting the JFK Museum in Boston brought it all back, and with immense clarity. The museum is an amazing place, documenting a popular president and highly-respected world leader who accomplished so many goals in his short time which are still impacting us today.

The white monolithic structure stands sentinel on a beautiful bay overlooking Boston. It’s pristine beauty was captivating against the dark blue sky.

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Weddings: Having Fun

Historically, I’ve been very selective in photographing weddings. While I’m known now more for my landscape and travel photography, my original career was news and sports. So when I do photograph a wedding, I do it in true reportage style.

I was excited to photograph Scott and Becky’s wedding. It was an ideal time of year – autumn in the mountains. My interest in document their wedding day news style was perfect for them.

After crunching through bride and groom shots up in Empire Pass a couple hours before the service, Becky had one more shot in mind – a chairlift. Fortunately we have a lot of them. And, even more fortunately, I was carrying a stepladder to help boost bride and groom up onto the Ruby lift at Deer Valley.

It made for a perfect scene. We went through a range of shots. Then it was time for a little fun!

While I haven’t made a career of shooting weddings, one thing I have learned is to get away from the solemn nature of traditionally serious, emotion shots and have some fun. In every setup I did that day, I closed it by having the participants whoop it up a little bit. And I’ll be that in almost every case, it will be those photographs chosen.

I love this photograph – it was the first select I pulled in the same-night look at over 1,200 images. It captures the fun and frivolity of their relationship. And a little Photoshop work brought out the super cool cowboy boots Becky wore that day.

And it will be a memory each of them – and I – will share whenever we load onto Ruby after a hard day skiing powder in Empire Canyon at Deer Valley Resort.

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Aspen Grove in Autumn



Aspen Grove in Autumn, originally uploaded by tomkellyphoto.

The evening fall color drive started poorly. After four straight nights of powerful evening sunlight, the clouds moved in an hour before sunset wiping out all direct light. But instead of heading home, I sought out some new subjects – and was amazed at what you can do without direct light.

While the white birch of the aspens could have benefited from some rays of light, the surrounding foliage was alive with color.

This stand of aspens was on a scenic backway between Midway, Utah and Guardsman Pass, high above Park City. The route is nice as it includes massive growth of oak (think red) at the mid elevations before you hit the aspens (think yellow) a bit higher.

This HDR captured the brilliant colors of the forest literally coming alive in the diffused evening light.

Camera: Nikon D700
Lens Nikkor 24-120 (at 24mm)

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